About one year ago (June 2017) director Zhang Yimou presented 2047 Apologue at the National Centre for the Performing Arts (NCPA) in Beijing.
2047 Apologue consisted of eight performances prepared by 20 international and local teams, culminating with the performance of “Weaving Machine.”
Weaving Machine was developed by Wu Shuxiang (China – weaving), Rose Alice (co-director of the International Arts Collective in London – dance), CPG-Concepts (Hong Kong – choreography), Radugadesign (Russia – video elements), and WHITEvoid (Germany – lighting elements). Technology includes 640 motorized LED spheres from Kinetic Lights.
Being human, in olden days we sat down and talked face to face, our face turns red with embarrassment, but we can feel each other’s emotions close up – fears, anger, sadness and happiness. Will we still have these feelings in the future?
In this dialogue between ancient culture and modern technology, we experience puzzles that comes with the rapid progression of technology, and reflect on it – what will be the future relation between human and technology?
The most difficult task for this show is getting the audience to accept and acknowledge that their lifestyle, the way they communicate and the way that they work might not be the best
More information at Behance.